FIRUZ KUTAL ( NORWAY )
HAYATI BOYACIOGLU ( GERMANY )
SAADET DEMIR YALCIN ( TURKEY )
SAADET DEMIR YALCIN ( TURKEY )
SINIRSIZ KARIKATÜR
lundi 31 mai 2010
AID FOR GAZA !..
Assaut israélien meurtrier contre la flottille en route vers Gaza !!
Au moins dix passagers d'une flottille pro-palestinienne transportant de l'aide humanitaire à Gaza ont été tués lundi 31 mai lors d'une intervention de commandos israéliens pour l'arrêter, a confirmé l'armée.
Cette flottille internationale acheminait des centaines de militants pro-palestiniens et de l'aide pour Gaza avait appareillé dimanche après-midi de Chypre pour le territoire palestinien. Dans la soirée, peu après 21 heures, heure locale (20 heures, heure française), trois patrouilleurs lance-missiles de classe Saar israéliens avaient quitté le port de Haïfa pour aller intercepter la flottille, selon des journalistes à bord d'un des bâtiments. La marine israélienne avait annoncé son intention d'empêcher la flottille, de force si nécessaire, de s'approcher des côtes de la bande de Gaza, soumise par Israël à un blocus strict – sauf pour les produits de première nécessité – depuis la prise de contrôle du territoire par le mouvement islamiste Hamas en juin 2007.
Cette flottille internationale acheminait des centaines de militants pro-palestiniens et de l'aide pour Gaza avait appareillé dimanche après-midi de Chypre pour le territoire palestinien. Dans la soirée, peu après 21 heures, heure locale (20 heures, heure française), trois patrouilleurs lance-missiles de classe Saar israéliens avaient quitté le port de Haïfa pour aller intercepter la flottille, selon des journalistes à bord d'un des bâtiments. La marine israélienne avait annoncé son intention d'empêcher la flottille, de force si nécessaire, de s'approcher des côtes de la bande de Gaza, soumise par Israël à un blocus strict – sauf pour les produits de première nécessité – depuis la prise de contrôle du territoire par le mouvement islamiste Hamas en juin 2007.
Si l'armée reconnaît dix morts, une ONG turque en compte cinq de plus : "Quinze personnes ont été tuées durant l'attaque, pour la plupart des ressortissants turcs", a affirmé Mohammed Kaya qui dirige la branche à Gaza d'IHH, une organisation turque de défense des droits de l'homme partie prenante de l'opération navale humanitaire.
Selon la chaîne privée israélienne 10, les militants se trouvant à bord des bateaux ont opposé une violente résistance aux militaires. Les communications avec les navires sont désormais coupées. "Des centaines de soldats israéliens attaquent la flottille, et le capitaine de notre bateau est grièvement blessé", avait raconté un peu plus tôt le correspondant d'Al-Jazira.
Selon la chaîne privée israélienne 10, les militants se trouvant à bord des bateaux ont opposé une violente résistance aux militaires. Les communications avec les navires sont désormais coupées. "Des centaines de soldats israéliens attaquent la flottille, et le capitaine de notre bateau est grièvement blessé", avait raconté un peu plus tôt le correspondant d'Al-Jazira.
dimanche 30 mai 2010
CANDIDAT !.. ADAY !..
Belçika'da 13 Haziran'da erken seçimler var gene!.. Daha iki sene olmadan, Basbakan Yves Leterme'in koalisyon hükümeti 5.kez istifa etti ..
Krize yol açan sorun ise yine "Bruxelles-Hal-Vilvoorde" (BHV) sorunu idi..
Nedir bu üç harf : BHV ? HIV virüsüne benzer gibi bisey desek pek de yalan olmaz..
BRUXELLES-HAL-VILVORDE tam 54 belediyeyi kapsamakta, 19'u Bruxelles ve 35'i ise brabant flamand belediyelerinden olusuyor.. Ama hepside ayni seçim bölgesinde bulunmakta..Yani Flandre bölgesinde Flamanca ve Brüksel bölgesinde Flamanca ve Fransizca ( bilingue) konusuluyor.Bu anlasma 1963 yilinda "dil sinirlari anlasmasi" tarafindan çizilmis..Hal-Vilvorde ta da tam 160.000 frankofon oturmakta ve bunlar da Flamanlarla ayni haklara sahipler..Eger bu dil sinirlari kalkarsa, (BHV) bu sinirlar içinde yasayan Frankofon vatandaslar ise tüm haklarini ( Adalet, kültürel,egtim vs..)kaybedecekler ve kendi dillerinde bile mahkemelerde savunma yapamayacaklar..
Flamanlarin istegi, Flaman bölgesinde flamanca konusmayi dayatmak, bölgelerin kendi dillerinde konusmalarini saglamak.Bu demektir ki Brüksel disindaki tüm belediyelerde Frankofonlarin hiçbir haklari olmayacak..Böylelikle büyük Flamanya'nin sinirlari çizilmis olacak..
Flaman milliyetçiligi o kadar da hortlamis ki, yapilan anketlerde Flamanlarin en çok sevdigi siyasetçi asiri milliyetçi parti NVA nin baskani Bart De wever..
Bizim¨Türk asilli adaylarimiz da kendilerini bu seçimlerde gösterecekler..
Türk adaylar mi çözecek acaba bu BHV derdini ? Yoksa onlara da mi bulasti bu virüs ?..
Burka'ya karsi oy veren tüm siyasetçiler simdi ise basörtülü adaylarimizdan ve seçmenlerden
oy beklemekte..Irkçi parti " Liste Dedeckeer " den aday olan Türk siyasetçilerimiz bile var !.." Yabancilar disari " diye mi kampanya yapacak acaba o da !..
Geçenlerde CdH partisinden istifa edip de PS Sosyalist partisine geçen Schaerbeek Belediye Meclis üyesi Halis Kökten, bana yakiniyordu ; " Ismail abi, çiz bunlari çiz !..Beni de çiz !..Bu dandik adaylari görünce, niye ben de aday olmadigima yaniyorum" diyordu..
- Haklisin Haliscim!..çizecem bigün seni de.. hiç merak etme!..
Bu seçimler birseyi degistirecek mi ? Hayir !..
Sadece degisen cüzdanlar olacak..
samedi 29 mai 2010
MEHMET AYDOGDU ARTS ( BELGIUM )
SÜREYALIST RESSAM ve FILOZOF MEHMET AYDOGDU :
Peintre et dessinateur surréaliste.
Mehmet AYDOGDU est né en 1958 à Karaman en Turquie, arrivé enfant en Belgique, il a étudié à l'Académie Royale des Beaux-Arts et à l'Institut Supérieur des Beaux-Arts St-Luc de Liège, où il vit et travaille encore. Après avoir habité Glain, Outremeuse et Bressoux, il habite aujourd'hui le quartier de Sainte-Margierite depuis plus de 20 ans et possède la double nationalité, turque et belge.
Depuis 1976, l'année de sa première exposition, Mehmet AYDOGDU a réalisé septante et une expositions personnelles et près de deux cents expositions d'ensemble dans des galeries, centres d'arts contemporains et musées à travers le monde, principalement en Belgique, en France, aux Pays-Bas, en Allemagne, à Chypre, en Turquie, au Japon, en Grèce, en Bosnie i Hercegovine et aux Etats-Unis d'Amèrique.
"Lancé sur la piste des surréalistes, Mehmet AYDOGDU, ouvre sa réflexion à l'univers tout entier. Sa peinture est un véritable laboratoire d'idées poétiques, on y retrouve des traces du temps et de l'espace, à la recherche du mystère des éléments. "Tout existe dans son oeuvre par évidence, naturellement. Sortes de poêmes énigmatiques empreints d'onirisme, ses oeuvres nous poussent à réflechir sur la condition humaine, sur la vie et la mort, sur l'infini. Peintre de l'homme ou plutôt de l'humanité, où vie et mort se confondent en dehors de toute référence au quotidien ou à l'anecdotique. Peintre du paysage ou plutôt de l'espace dans son immensité. Peintre de la réalité ou plutôt d'un questionnement sur l'image du réel, mais aussi peintre du rêve. Et ces questions nous sont proposées par des signes, des traces, des reflets, des images traversant le TEMPS" écrit Françoise SAFIN, conservatrice de MAMAC - Musée d'Art Moderne et d'Art Contemporain de la Ville de Liège
Mehmet Aydoğdu was born in 1958 in Karaman. After graduating from secondary school, he attended Alleur State Lycée in Belgium since his family was living there (1970-1973). After studying painting at the Liege Institute of Fine Arts, he attended the Liege Royal Academy of Fine Arts (1977). In 1979, he married Jeanne Elizabeth Therese Dorren and is still living in Belgium. Since 1986 he has opened six one-man shows in Turkey.
Mehmet Aydoğdu has a large family in Karaman. He started to paint when he was five years old. His grandparents influenced his art career. The religious stories his grandmother used to tell him influenced him, and he was very curious about the concepts of man, nature, and God. The concept of woman in his art developed under these circumstances.
His interest and love for painting affected his education. He hardly graduated from secondary school. Before he went to Belgium in 1969, he had been influenced by Jean François Millet’s painting “The Angelus” (1858-1859).
During his first years in Belgium, Aydoğdu had a language problem and could not communicate well with the people around him. His art teacher at the Alleur State Lycée showed him some the work of Salvador Dali and he was influenced by Dali’s surrealistic style. The vastness, blue sky and the figure of burning giraffe brought Aydoğdu to a world of mysterious emotions and enthusiasm. After a few months, he produced his first oil-painting in this style. He won his first prize in a painting competition held by Liege Municipality when he was 17 years old and open his first exhibition when he was 18.
Mehmet Aydoğdu says, “I adopted the surrealistic style because it includes all living things in the world and goes beyond reality. I accept the existence of reality and its inevitable effects and want top carry the present time beyond reality and the world of imagination in a realistic way. I want to convert reality into a surrealistic arid mysterious philosophy.”
Aydoğdu, in an abstract space, uses mathematics, calligraphy, images, dreams, symbols and thoughts in a scientific way and does not abstract figures. The small spheres in his paintings represent science and prolificacy of women. The formulas in his painting represent science in the future. Mehmet Aydoğdu wants his paintings to present space that takes development into consideration. He is interested in Dali’s aesthetics and Miro’s and Tanguy’s space concepts. Besides, he uses the names of his family members in his paintings, which displays his sensitivity. Aydoğdu has read books written by French authors, books about Atatürk and the books by Şahin Şehirlioğlu and has established a relationship between passages taken from these books and his own thoughts and images. He says, he has been especially influenced by Jircea Eliades’s “Death and Love” and Henry Müller’s “Memory Memory.” Mehmet Aydoğdu paints human figures and scientists who want to dominate the stars; he paints humans who have worries about their future. Aydoğdu wants these people to catch the farthest points of the world. He says he paints because he considers the holiness of man. He wants to reach God taking humans into consideration and producing new things for humans.
Mehmet Aydoğdu paints in Brussels. He has been famous in Belgium since 1982. Since 1976, he has held many one-man shows and exhibited in group exhibitions. Some of his paintings are in national, international and private collections.
Mehmet Aydoğdu was included in an anthology “50 Artists of Belgium” published on January 10, 1995. The famous Belgian artists Paul Delvaux and Eugene De Bie have also been included in the anthology. Aydoğdu, a well known surrealist painter in Europe, studied at the Liege Fine Arts Academy. Exhibitions of his work have been displayed in many countries.
The “50 Artists of Belgium” anthology also includes information about 44 Belgian artists, in addition to two artists from France, one from Germany, one from China and one from Poland. Selected works of the artists included in the anthology who work in Belgium were exhibited in Brussels for 15 days after the book was published.
Meanwhile, Mehmet Aydoğdu has also been included in the art dictionary “Two centuries of artists signatures” published for the first time in Belgium. The dictionary is on sale in Belgium, France, The Netherlands and Germany.
Mehmet Aydoğdu is also included in the Dictionnaire Biographique illutre des ARTISTES en BELGIQUE DEPUIS 1830 (Biographies of Belgian Artists Beginning in 1830).
" SANAT DA BİR BAŞKA DUA ŞEKLİDİR "...
Aydoğdu'yu iyi anlamadığı anlaşılan Belçikalı politikacılar, onu ''entegrasyon modeli'' olarak sunma telaşında; Liege dışındaki Belçikalı Türkler neredeyse varlığından bile habersiz. Etrafına sürekli olumlu enerji yayan, yüzünden gülücüğü hiç eksik olmayan ve çağdaş resmi, interaktif biçimde sunan Aydoğdu, anavatanı Türkiye'den uzakta, evlat edinildiği üvey kenti olarak nitelendirdiği Liege'de yasiyor.
''Tablolar sessiz gibi dursalar bile, siz konuşun onlarla, size yanıt verirler. Sessizlik de bir dildir'' diyerek bizleri tablolarıyla sohbete davet ediyor. ''Mehmet Vous Dit Bonjour'' (Mehmet Size Merhaba Diyor) başlıklı iki yıllık bir projenin devamı olan sergisi, dünyada bir ilk olma özelliği taşıyor. Mehmet Aydoğdu, 1980-2005 yılları arasında yapmış olduğu eserlerinden bir kesit olarak sunulan bu sergi ile eserleri retrospektif (geriye dönük) olarak bir müzede sergilenen ilk Türk sanatçı olma unvanını kazanıyor. Retrospektif sergiler, genellikle sanatçının öldükten sonra, hayatı boyunca yapmış olduğu eserlerinden örneklerin sunulduğu sergilerdir. Ancak Aydoğdu'nun henüz hayattayken 1980'den 2005'e kadar yaptığı eserlerden örneklerin sunulması, sanatçının çalışmalarına verilen değerin simgesi olarak büyük önem taşıyor. Eserleri iki yıl boyunca 3 kıtada, 5 ayrı ülkede 7 defa sergilenecek olan sanatçı Aydoğdu, bu projenin sanatçı olarak yapmış olduğu yolculuğun, gelişmenin neden ve nasıl olduğunu gösteren bir proje olduğunu söylüyor. Ayrıca projede izleyiciye Fransızca ''Merhaba'' diyerek, Türk kökenli Frankofon biri olarak, ''insanın coğrafi olarak yaşadığı yerle oluşturduğu bütünlüğün'' mesajını vermek istediğini belirtiyor. ''Sanatın gerçeği, insanoğlunun yaşam gerçeği ile ilgili olamayabilir. Yaşamda aktif olmak lazım, değiştirip dönüştürmek için de yaşamın içinde olmak gerekir'' diyen Aydoğdu, resminde ''gerçeküstücü'' damgası yemiş, ama yaşamında gerçekçi. ''Sanatçılar dünyanın neresinde olursa olsun sürgünde yaşıyorlar. Onun için de var olan zenginliği ifade edebileceği noktadan uzaklaştırılıp yalnızca atölyelere, galerilere, şimdi bir de müzelere ve çağdaş sanat merkezlerine mahkûm ediliyoruz. Oralar bizim hapishanelerimizdir'' saptamasında bulunan Aydoğdu, hapishane dışına çıkarak yaşamın ta ortasına yerleşti. Liege'de, camide Türklerle Hıristiyanları sanat aracılığıyla buluşturma gibi ilginç projelere de imza attı. Sosyalist Parti'den belediye meclisi üyesi olan Aydoğdu'nun sergisine fazla rağbet etmeseler de Türk toplumuyla sevimli bir iletişimi var. ''Babam her ne kadar avukat veya doktor olmam için ısrar etse de sanat alanında okulda başarılı olmam onları etkiledi. Ama ilk zamanlar zor olmuştu. Kâfirler gibi insan resimleri yapmak, insan yüzlerini aslı gibi yapmak, 'Bu adam kendini Tanrı mı sanıyor' şeklinde yorumlara neden oluyordu. İlk sergimi 17 yaşında açtım. Hiç Türk yoktu sergilerimde, hep Belçikalılar geliyordu. Ne zaman ki Belçikalılar beni anlatmaya başladı, Belçikalı televizyonlarda gösterilince Türkler de beni tanıdı. Bir de Türkiyeli Türkler beni Avrupalı Türklerden daha önce tanıyıp sahiplendi. Bu da ilginç bir durumdur'' diyen ressamı Belçika evlat edinmiş, ama o artık bir dünya sanatçısı. ''Kendi kültürümüzdeki çeşitliliğimiz varken tutup Batı'ya özenme davranışı başarısızlığa götürüyor'' diyecek kadar da özüne bağlı. Başka türlü Anadolu otantikliğini evrensele taşıma başarısına ulaşamazdı zaten. http://www.binfikir.be/news/148/ARTICLE/1346/2007-08-12.html
Peintre et dessinateur surréaliste.Mehmet AYDOGDU est né en 1958 à Karaman en Turquie, arrivé enfant en Belgique, il a étudié à l'Académie Royale des Beaux-Arts et à l'Institut Supérieur des Beaux-Arts St-Luc de Liège, où il vit et travaille encore. Après avoir habité Glain, Outremeuse et Bressoux, il habite aujourd'hui le quartier de Sainte-Margierite depuis plus de 20 ans et possède la double nationalité, turque et belge.
Depuis 1976, l'année de sa première exposition, Mehmet AYDOGDU a réalisé septante et une expositions personnelles et près de deux cents expositions d'ensemble dans des galeries, centres d'arts contemporains et musées à travers le monde, principalement en Belgique, en France, aux Pays-Bas, en Allemagne, à Chypre, en Turquie, au Japon, en Grèce, en Bosnie i Hercegovine et aux Etats-Unis d'Amèrique.
"Lancé sur la piste des surréalistes, Mehmet AYDOGDU, ouvre sa réflexion à l'univers tout entier. Sa peinture est un véritable laboratoire d'idées poétiques, on y retrouve des traces du temps et de l'espace, à la recherche du mystère des éléments. "Tout existe dans son oeuvre par évidence, naturellement. Sortes de poêmes énigmatiques empreints d'onirisme, ses oeuvres nous poussent à réflechir sur la condition humaine, sur la vie et la mort, sur l'infini. Peintre de l'homme ou plutôt de l'humanité, où vie et mort se confondent en dehors de toute référence au quotidien ou à l'anecdotique. Peintre du paysage ou plutôt de l'espace dans son immensité. Peintre de la réalité ou plutôt d'un questionnement sur l'image du réel, mais aussi peintre du rêve. Et ces questions nous sont proposées par des signes, des traces, des reflets, des images traversant le TEMPS" écrit Françoise SAFIN, conservatrice de MAMAC - Musée d'Art Moderne et d'Art Contemporain de la Ville de Liège
Mehmet Aydoğdu was born in 1958 in Karaman. After graduating from secondary school, he attended Alleur State Lycée in Belgium since his family was living there (1970-1973). After studying painting at the Liege Institute of Fine Arts, he attended the Liege Royal Academy of Fine Arts (1977). In 1979, he married Jeanne Elizabeth Therese Dorren and is still living in Belgium. Since 1986 he has opened six one-man shows in Turkey.
Mehmet Aydoğdu has a large family in Karaman. He started to paint when he was five years old. His grandparents influenced his art career. The religious stories his grandmother used to tell him influenced him, and he was very curious about the concepts of man, nature, and God. The concept of woman in his art developed under these circumstances.
His interest and love for painting affected his education. He hardly graduated from secondary school. Before he went to Belgium in 1969, he had been influenced by Jean François Millet’s painting “The Angelus” (1858-1859).
During his first years in Belgium, Aydoğdu had a language problem and could not communicate well with the people around him. His art teacher at the Alleur State Lycée showed him some the work of Salvador Dali and he was influenced by Dali’s surrealistic style. The vastness, blue sky and the figure of burning giraffe brought Aydoğdu to a world of mysterious emotions and enthusiasm. After a few months, he produced his first oil-painting in this style. He won his first prize in a painting competition held by Liege Municipality when he was 17 years old and open his first exhibition when he was 18.
Mehmet Aydoğdu says, “I adopted the surrealistic style because it includes all living things in the world and goes beyond reality. I accept the existence of reality and its inevitable effects and want top carry the present time beyond reality and the world of imagination in a realistic way. I want to convert reality into a surrealistic arid mysterious philosophy.”
Aydoğdu, in an abstract space, uses mathematics, calligraphy, images, dreams, symbols and thoughts in a scientific way and does not abstract figures. The small spheres in his paintings represent science and prolificacy of women. The formulas in his painting represent science in the future. Mehmet Aydoğdu wants his paintings to present space that takes development into consideration. He is interested in Dali’s aesthetics and Miro’s and Tanguy’s space concepts. Besides, he uses the names of his family members in his paintings, which displays his sensitivity. Aydoğdu has read books written by French authors, books about Atatürk and the books by Şahin Şehirlioğlu and has established a relationship between passages taken from these books and his own thoughts and images. He says, he has been especially influenced by Jircea Eliades’s “Death and Love” and Henry Müller’s “Memory Memory.” Mehmet Aydoğdu paints human figures and scientists who want to dominate the stars; he paints humans who have worries about their future. Aydoğdu wants these people to catch the farthest points of the world. He says he paints because he considers the holiness of man. He wants to reach God taking humans into consideration and producing new things for humans.
Mehmet Aydoğdu paints in Brussels. He has been famous in Belgium since 1982. Since 1976, he has held many one-man shows and exhibited in group exhibitions. Some of his paintings are in national, international and private collections.
Mehmet Aydoğdu was included in an anthology “50 Artists of Belgium” published on January 10, 1995. The famous Belgian artists Paul Delvaux and Eugene De Bie have also been included in the anthology. Aydoğdu, a well known surrealist painter in Europe, studied at the Liege Fine Arts Academy. Exhibitions of his work have been displayed in many countries.
The “50 Artists of Belgium” anthology also includes information about 44 Belgian artists, in addition to two artists from France, one from Germany, one from China and one from Poland. Selected works of the artists included in the anthology who work in Belgium were exhibited in Brussels for 15 days after the book was published.
Meanwhile, Mehmet Aydoğdu has also been included in the art dictionary “Two centuries of artists signatures” published for the first time in Belgium. The dictionary is on sale in Belgium, France, The Netherlands and Germany.
Mehmet Aydoğdu is also included in the Dictionnaire Biographique illutre des ARTISTES en BELGIQUE DEPUIS 1830 (Biographies of Belgian Artists Beginning in 1830).
vendredi 28 mai 2010
LIDJESTANBUL !..( LIEGE-ISTANBUL )
Bir Mehmet AYDOGDU projesi...
" Avrupa Kültür Baskenti ISTANBUL 2010" na Belçika'dan bir kültür harmanlamasi vermek üzere çagdas sanatlar ve karikatür sergileri, klasik, geleneksel müzik ve koro resitalleri, edebiyat ve siir aksamlari, bale, dans ve folklor gösterileri, keçi derisinden anadolu çadiri ile bir kervansaray canlandirmasi, sanat atölyeleri, söylesi ile konferanslar..
1.perde :
TÜRK KADIN RESSAMLAR SERGISI ..
1 haziran Sali günü saat 18.30'da Liège Fransiz Baskonsoloslugu sergi salonlarinda .
jeudi 27 mai 2010
27th AYDIN DOGAN INTERNATIONAL CARTOON CONTEST PRIZES:!.
http://www.radikal.com.tr/Radikal.aspx?aType=RadikalGaleriHaber&Date=25.05.2010&ArticleID=998749&PAGE=3Israilli çizerlerden AYDIN DOĞAN yarışmasına tepki !.
For more than 25 years we follow the AYDIN DOGAN contest.
Our opinion is that this event always was an example for a good professional level and pluralism, without involving politics and dirt.
It was a huge shock for us to see that this year first (!) prize was awarded to cheap, worthless conjuncture political cartoon. We are really disappointed and we think that the 2010-jury's decision was very bad.It is very sad that anti-Israel politics of the Turkish government penetrates into the field of professional ethics. It seems that the organisers of the contest have decided to decline the principles of pluralism and tolerance...
We call to all honest cartoonists to decline this shameful decision.
Israeli cartoonists
Boris ERENBURG
Sergey SICHENKO
Gennady LITINSKY
mercredi 26 mai 2010
" GAZA FREEDOM FLOTILLA " !..
Le bateau d’aide humanitaire turc en partance pour Gaza a été empéché par l’état hébreu qui a déclaré qu’il utilisera la violence militaire et que la flotte ne rentrerai pas à Gaza quel qu’en soit le prix.! (déclaration d’un officier israélien à la chaine americaine Al-Hurra) The Turkish ship humanitarian aid bound for Gaza has been prevented bythe Israel state has said it will use military violence and that the fleet will not go to Gaza whatever the price. " (Statement of an Israeli officer in the American channel Al-Hurra)
Gazze'ye insani yardım için Istanbul'dan yola çikan Türk gemisinin, Israil devleti tarafindan Gazze'ye girisi engelleniyor!..
Israil, askeri şiddet kullanacagini ve
filonun Gazze'ye ne pahasina olursa olsun giremeyecegini bildirdi !.
Bu durumdan en çok zarar görenlerde ,yardima muhtaç ,aç bekleyen Gazze'li çocuklar olacak gene süphesiz !.
mardi 25 mai 2010
8. SPOR VE KÜLTÜR SENLIGI !..
Brüksel Bölge Hükümeti Bakanı Emir Kır'ın FC Anatolie 95 spor kulübü Turkish Lady ve COIN D'ART dernegi ile birlikte 8. Spor ve Kültür Şölenini gerçekleştirdi. Brüksel'in Evere semti Georges Petro stadında gerçekleşen şölene Federal Hükümet Sağlık Bakanı ve başbakan yardımcısı Lauretta Onkelinx de katıldı.Şenlikte Binfikir Karikatür Okulu öğrencilerinin Dostluk ve Hoşgörü Karikatürleri de sergilenirken, karikatürist İsmail Doğan da dernegi " COIN D'ART adina, kaligrafi standı ile ziyaretçilerin ilgisini çekti.
vendredi 21 mai 2010
IV EXHIBITION OF GRAPHIC HUMOR !..
The Valencian Journalists Union (Unió de Periodistes Valencians - UPV) and FECO-Spain organizes the 4th EXHIBITION OF GRAPHIC HUMOR and with the sponsorship of Caja Mediterráneo (CAM). The aim of this exhibition is to emphasize how important graphic humour is for freedom of expression. Graphic humour is a journalistic genre highly charged with denunciation and civic compromise, which contributes to the reflection and the action.
RULES
1. Theme: VIOLENCE. The violence is the law of the jungle, power abuse upon the weakest and it generates hate; it’s a cancer for the living together, freedom, democracy, equality. It ignores the human dignity, tolerante, values, principles and rights. It’s inside our lifes and it’s difficult to get away from some of its effects. It becomes apparent in an inifinite number ways: social, political, religious, sports, labour, in the classrooms, in the family, in the entertainments, the cinema and the TV. There are violence of genre, driving, against immigrants, old people, war journalists…
2. The contest is open for professionals and amateurs.
3. Deadline is on 30th June 2010.
4. The drawings must be original. Digital drawing will be accepted with the author signature. Copies will not be accepted.
5. Between July 10th and 15th 2010, a jury of qualified experts will make a selection of the works which have been submitted.
6. The selected drawings will be exhibited at “La Llotgeta Exhibition Hall” of the CAM in Valencia, between October 7th and November 12th 2010. From this date, it will be a travelling exhibition in several cities. After that, the artists will be able to ask for their drawings to be returned to them if they have demanded it in their entry form.
7. Drawing size limits: DIN A4 (210mm×297mm) or DIN A3 (297mm×420mm). The works with different sizes to these ones will be disqualified.
8. Maximum number of drawings per artist is 3, black & white or coloured, WITHOUT TEXT. Any kind of style and technique will be accepted.
9. Every drawing must be signed at the back with the following information: name, address, phone, e-mail, and the work’s title. It will be indispensable to send the entry form and a short curriculum vitae along with the drawings.
10. Send the drawings to: FECO-ESPAÑA. C/ Cooperativa San Fernando, 7-8ª. 46007. VALENCIA (Spain).
11. The organization will report artists if they have been or not selected.
12. The organization does not assume responsibility for damage or loss of any drawing for reasons beyond its control.
13. The drawings can be given free for the organization of the Exhibition to be part of an International Documental Funds of Graphic Humour. All of them will be deposited for their preservation, spreading and study in a Valencian institution. The authors who want to be part of this Funds must express their authorization in the entry form. The Funds objective is the organization of periodical and travelling exhibitions, the catalogues publication and the foundation of an international documental archive about the graphic humour where the author rights and intellectual property will be respected.
14. A catalogue will be edited with all the selected cartoons. Each selected author will receive one copy of the catalogue.
15. Accepting these rules means the cession of the author rights to the organization, only for the exhibition spreading, the catalogues edition and the travelling exhibition. Reproducing the selected works will not have any cost for the organization, since the catalogues and the travelling exhibition will not have any lucrative purpose.
RULES
1. Theme: VIOLENCE. The violence is the law of the jungle, power abuse upon the weakest and it generates hate; it’s a cancer for the living together, freedom, democracy, equality. It ignores the human dignity, tolerante, values, principles and rights. It’s inside our lifes and it’s difficult to get away from some of its effects. It becomes apparent in an inifinite number ways: social, political, religious, sports, labour, in the classrooms, in the family, in the entertainments, the cinema and the TV. There are violence of genre, driving, against immigrants, old people, war journalists…
2. The contest is open for professionals and amateurs.
3. Deadline is on 30th June 2010.
4. The drawings must be original. Digital drawing will be accepted with the author signature. Copies will not be accepted.
5. Between July 10th and 15th 2010, a jury of qualified experts will make a selection of the works which have been submitted.
6. The selected drawings will be exhibited at “La Llotgeta Exhibition Hall” of the CAM in Valencia, between October 7th and November 12th 2010. From this date, it will be a travelling exhibition in several cities. After that, the artists will be able to ask for their drawings to be returned to them if they have demanded it in their entry form.
7. Drawing size limits: DIN A4 (210mm×297mm) or DIN A3 (297mm×420mm). The works with different sizes to these ones will be disqualified.
8. Maximum number of drawings per artist is 3, black & white or coloured, WITHOUT TEXT. Any kind of style and technique will be accepted.
9. Every drawing must be signed at the back with the following information: name, address, phone, e-mail, and the work’s title. It will be indispensable to send the entry form and a short curriculum vitae along with the drawings.
10. Send the drawings to: FECO-ESPAÑA. C/ Cooperativa San Fernando, 7-8ª. 46007. VALENCIA (Spain).
11. The organization will report artists if they have been or not selected.
12. The organization does not assume responsibility for damage or loss of any drawing for reasons beyond its control.
13. The drawings can be given free for the organization of the Exhibition to be part of an International Documental Funds of Graphic Humour. All of them will be deposited for their preservation, spreading and study in a Valencian institution. The authors who want to be part of this Funds must express their authorization in the entry form. The Funds objective is the organization of periodical and travelling exhibitions, the catalogues publication and the foundation of an international documental archive about the graphic humour where the author rights and intellectual property will be respected.
14. A catalogue will be edited with all the selected cartoons. Each selected author will receive one copy of the catalogue.
15. Accepting these rules means the cession of the author rights to the organization, only for the exhibition spreading, the catalogues edition and the travelling exhibition. Reproducing the selected works will not have any cost for the organization, since the catalogues and the travelling exhibition will not have any lucrative purpose.
mercredi 19 mai 2010
TRIBUTE TO MINERS !..
ÖLEN MADENCILERIN ANISINA !..today, 28 miners found dead after an explosion in Turkey..
mardi 18 mai 2010
MADENCILER !..LES MINEURS !..
SAADET YALCIN ( TURKEY )
ATILLA ATALA ( TURKEY )
ISMAIL DOGAN ( BELGIUM ) Turquie : 32 mineurs coincés et 11 autres blessés
après l'explosion dans une mine de charbon !.
Turkey: 32 miners trapped and 11 others injuredafter
the explosion in a coal mine!.
lundi 17 mai 2010
dimanche 16 mai 2010
Inscription à :
Articles (Atom)